In parallel to studying Economics at the Delhi University, Ramya Roy began training in western classical singing under the tutelage of soprano Situ Buehler, before entering Valérie Millot's class in 2014 at the Conservatoire W. A. Mozart in Paris, and in 2016 at the CRR of Paris. Graduating in 2017 with unanimity and with the congratulations of the jury, she joined Mireille Delunsch's class at the Conservatoire National Supérieur de Musique et de Dance de Lyon, from where she graduated in 2019. 

She has participated in Masterclasses with Karine Deshayes, Ludovic Tézier, Sondra Radvanovsky, Roberto Scandiuzzi, Hedwig Fassbender and Enrique Mazzola. 

In 2018, she won the Special Jury Prize at the Marseille International Singing Competition. 

 

She has interpreted roles such as Madame de la Haltière in Massenet’s Cendrillon, Giustina in Pergolesi’s Il Flaminio, Dido in Dido and Aeneas  by Purcell, the Third Lady in Mozart’s Die Zauberflöte and Gertrude in Gounod’d Roméo et Juliette. 

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She performed in a recital with the Debussy Quartet and the tenor Julien Behr in a program of Lieder and melodies by Schubert and Mozart in Lyon in 2018. 

She sings the alto solos in the Requiems of C. Saint-Saëns and of N. Jomelli, 

Rossini’s La Petite Messe Sollennelle, Pergolesi’s Stabat Mater, Mahler's  Eighth Symphony and the Kindertotenlieder , Brahms' Alto Rhapsody and Beethoven’s Mass in C Major op86. 

 

In 2019, she played the title role of Carmen at the Festival ‘Nuits Musicales en Armagnac’, under the guidance of Béatrice Uria Monzo. 

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In the same year, Ramya Roy joined the Académie de l’Opéra National de Paris. She made her debut on the stage of Palais Garnier in the roles of La Chatte and l’Ecureuil in Ravel’s Enfant et les Sortilèges in January 2020 and in the role of the Sorceress in Purcell’s Dido and Aeneas  at the Grange au Lac in Evian with the ensemble Acapella Mediterranea.

 

In 2021, she played  the title-role of Lucretia in Britten’s The Rape of Lucretia at the Théâtre des Bouffes du Nord in Paris and the Second Lady in Mozart’s Die Zauberflöte at the Opéra National de Lorraine.

 

 

In 2022, we will have the opportunity to hear her in the Vocal Quartet in Bernstein’s A Quiet Place at the Palais Garnier, as a Blumenmädchen in Wagner’s Parsifal at Opéra Bastille, and in the same role, she will debut at the Grand Théâtre de Genève in Parsifal in 2023. The same year, she reprised the double roles of the Cat and that of the Squirrel in L’Énfant et les Sortilèges at the Opera Grand Avignon and at Opéra de Tours. 

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In 2024, she made her stage debut at the Théâtre des Champs Élysées and at theThéâtrev Impériale de Compègne in the role of Sister Mathilde in Francis Poulenc’s Dialogues des Carmélites.

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She has collaborated with prestigious chefs, such as Kent Nagano, Simone Young, Leonardo G. Alarcon, Vello Pähn, Marco Balderi, Karina Canellakis, Bas Wiegers, Claire Levacher, Patrick Lange, Françoise Lassere, Guillaume Connesson, and many others.